After the Dresden Bombing: Pathways of Memory, 1945 to the - download pdf or read online

By Anne Fuchs (auth.)

ISBN-10: 0230359523

ISBN-13: 9780230359529

ISBN-10: 1349330868

ISBN-13: 9781349330867

Show description

Read or Download After the Dresden Bombing: Pathways of Memory, 1945 to the Present PDF

Best media studies books

Film Theory: An Introduction through the Senses (2nd by Thomas Elsaesser, Malte Hagener PDF

What's the courting among cinema and spectator? this is often the foremost query for movie thought, and person who Thomas Elsaesser and Malte Hagener positioned on the heart in their insightful and fascinating e-book, now revised from its renowned first version. all types of cinema (and each movie thought) first imagines a great spectator, after which maps convinced dynamic interactions among the reveal and the spectator’s brain, physique and senses.

New PDF release: FutureNatural (Futures, New Perspectives for Cultural

We live in an age while 'nature' seems on the point of extinction but, even as, 'nature' is turning into more and more ubiquitous and volatile as a class for illustration and debate. Futurenatural brings jointly prime theorists of tradition and technology to debate the idea that of 'nature' - its previous, current and destiny.

Digital dilemmas: The state, the individual, and digital by Professor Cristina Venegas PDF

The contentious debate in Cuba over web use and electronic media essentially makes a speciality of 3 issuesùmaximizing the opportunity of fiscal and cultural improvement, constructing enhanced ties to the surface global, and altering the hierarchy of regulate. increasingly more clients decry censorship and demand on own freedom in gaining access to the net, whereas the centrally controlled method advantages the govt. in circumventing U.

Extra resources for After the Dresden Bombing: Pathways of Memory, 1945 to the Present

Sample text

In this way, portraits of Germans underlined the message that had already been communicated by the concentration camp photographs and by rubble photography: all these genres were visual illustrations of the total moral ruination of the German nation. Although these photos were taken on the ground, they occupied a position of complete moral superiority that left little room for empathy with a nation that appeared morally too corrupt to reach any insight into its own depravity. 30 The book is an example of rubble or wreckage photography that documented the destruction of the German cities in the immediate postwar years.

Peter’s photo book offers an interesting point of comparison and contrast with a cycle of drawings by the artist Wilhelm Rudolph (born in Chemnitz in 1889), who worked in Dresden from the end of the First World War until his death in 1982. Influenced by Expressionism and later by Neue Sachlichkeit (New Objectivity), Rudolph is primarily known for his woodcuts that often depict animals as expressionistic symbols of creaturely existence. However, in the current context it is his cycle of 150 drawings produced in the months after the bombing that is of particular interest.

But it is less likely that, without the help of a caption, they would be able to name Dresden as the city in Peter’s picture. From the perspective of the non-German recipient, the indexical value of the photograph has been erased in favour of a recognition effect that heightens the iconic value of the shot, while simultaneously hollowing out its referential quality. 42 After the Dresden Bombing Although the photograph remains a trace of a reality that, in the words of Roland Barthes, ‘has been’ there, as a globally recycled image it has lost the connection to its historical origins and locale.

Download PDF sample

After the Dresden Bombing: Pathways of Memory, 1945 to the Present by Anne Fuchs (auth.)


by Mark
4.3

Rated 4.04 of 5 – based on 11 votes